Curator-led guided tour of “Johanna Diehl. The Truth Resides in the Folds” with Katja Blomberg, director of Haus am Waldsee.

Guided tour of the exhibition “Johanna Diehl. The Truth Resides in the Folds” in German and English.

Guided tour of the exhibition “Johanna Diehl. The Truth resides in the Folds”.
Included in the admission fee. People with disabilities pay the reduced amission fee, accompanying person is free of charge (if noted as assistant on ID card).
No boooking needed.

Wolfgang Ullrich, professor for art history and freelance writer in Leipzig, presents his book Selfies. Digitale Bildkulturen, publisher Klaus Wagenbach 2019.

Since 2005, Haus am Waldsee regularly invites for public dinners with the respective artist currently featured. In the beginning, the artists have cooked themselves. Later on, evenings have been combined with reading sessions or other themes and by now, the team from Zagreus Projekt from Berlin have been cooking for us regularly. We are looking forward to spending the dinners in our park during summer time and using our new garden hall at winter time to bring artists and public together in a relaxed atmosphere. Take the chance to get to know the person behind the artworks, as well as other friends of the arts by booking your space.

There’s more than one way to engage with art. Our Family Saturday invites young and old to make their first steps and discover our exhibition. The art works shall be examined closely through short tours under the guidance of our art educators and inspire to embark on one’s own creative journey during the workshop afterwards. Showing up early guarantees a spot on the guided tour but late-comers are equally welcome and encouraged to join the workshop.

Guided tour of the exhibition “Johanna Diehl. The Truth Resides in the Folds”.

Idyllically situated as a former private villa at a small lake in the southwest of Berlin, Haus am Waldsee offers the ideal conditions for concentrated artistic work. 

Beginners and advanced students are equally welcome. 

Artist and musician Raphael Sbrzesny plays excerpts from his “Partituren des Nervösen” (scores of nervousness) on ringing steel corsets and portable loudspeakers and refers to Johanna Diehl’s series Dead Dad Wild Country, in which she deals with the body-constraining prostheses from Johann Kresnik’s productions.