JOHANNA DIEHL

THE TRUTH RESIDES IN THE FOLDS

At the end of November 2019, Haus am Waldsee will open the first solo exhibition by internationally acclaimed Berlin-based architectural photographer and artist Johanna Diehl (*1977). Freely inspired by Walter Benjamin, she develops her work out of the idea that the essence of history lies in the folds of memory. Diehl traces the hidden in Europe‘s recent memory. She finds convincing images and surprising forms of presentation. For the exhibition, which is made possible by the Hauptstadtkulturfonds, two new film works were created as part of her new series “Alienation“.

In earlier, large-scale photo series, the artist explored architectural testimonies such as synagogues that were half-destroyed and rededicated to sports halls, cinemas and factories in Eastern Europe, telling of past geopolitical conflicts. For her, it is essentially about the question of identity in modern-day Europe and the overwriting of history in public spaces.

In recent series, biographical references have come to the fore. Diehl is particularly concerned with the traumas of the Second World War, which until today have continued to have an effect over several generations. For the exhibition at Haus am Waldsee, new parts of the series “Alienation“ were created, which are based on archives of her own family.

Curated by Katja Blomberg and Johanna Diehl

A catalogue with an article by Annette Tietenberg is released on 15 January 2020. Published by Verlag der Buchhandlung Walther König in German and English. 24 Euro. 

 

 

PRESS RELEASE

 

 

 

PRESS IMAGES

 

Johanna Diehl,  MARS, 2019, film still/making of, video, projection, colour, sound, duration: 22 min, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.8 MB)

Johanna Diehl, OBJEKT I (costume piece from the production “Hansel und Gretel” by Johann Kresnik. stage/costume: Penelope Wehrli. Volksbühne am Rosa-Luxemburg-Platz, Berlin. World premiere: 24 November 1995), 2019, from the series Dead Dad Wild Country, c-print, 69 x 55 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.5 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.8 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.6 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.7 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.8 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.7 MB)

Johanna Diehl, MAGAZIN A.W.D. 13-25 (Bangkok 1973), 2019, from the series Dead Dad Wild Country, c-print, 47 x 33 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.9 MB)

Johanna Diehl, Haus D. (Kassel) III, 2017, c-print, framed, 128 x 103 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.7 MB)

Johanna Diehl, Shepetivka, 2013, from the series Ukraine Series, c-print, 41 x 52 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1 MB)

Johanna Diehl, Documenta Ensembles I (Head), 2017, c-print, framed, 38 x 48 cm, 3 + 1 AP, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.5 MB)

Johanna Diehl, Foro Italico I, 2012, from the series Romanità, c-print, 72 x 91 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.6 MB)

Johanna Diehl,  MARS, 2019, film still/making of, video, projection, colour, sound, duration: 22 min, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.8 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.8 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.7 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.7 MB)

Johanna Diehl, Haus D. (Kassel) III, 2017, c-print, framed, 128 x 103 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.7 MB)

Johanna Diehl, Documenta Ensembles I (Head), 2017, c-print, framed, 38 x 48 cm, 3 + 1 AP, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.5 MB)

Johanna Diehl, OBJEKT I (costume piece from the production “Hansel und Gretel” by Johann Kresnik. stage/costume: Penelope Wehrli. Volksbühne am Rosa-Luxemburg-Platz, Berlin. World premiere: 24 November 1995), 2019, from the series Dead Dad Wild Country, c-print, 69 x 55 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.5 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.6 MB)

Johanna Diehl. The Truth Resides in the Folds, installation view, Haus am Waldsee, 2019, photo: Roman März

Download (1.8 MB)

Johanna Diehl, MAGAZIN A.W.D. 13-25 (Bangkok 1973), 2019, from the series Dead Dad Wild Country, c-print, 47 x 33 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.9 MB)

Johanna Diehl, Shepetivka, 2013, from the series Ukraine Series, c-print, 41 x 52 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1 MB)

Johanna Diehl, Foro Italico I, 2012, from the series Romanità, c-print, 72 x 91 cm, Courtesy the artist and Galerie Wilma Tolksdorf Frankfurt/Berlin

Download (1.6 MB)

 

Please note that all of the illustrations available for downloading are protected by copyright and may only be used for press purposes and with the corresponding credits including the courtesies. The images must not be cropped.

For more images, please contact our press office.

 

 

 

Contact Press Office

Erik Günther
Press and Communications
e.guenther@hausamwaldsee.de
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