Tolia Astakhishvili and James Richards, I Remember (Depth of Flattened Cruelty), 2023, film still, video installation, 10 min., Courtesy the artists; Cabinet, London; Isabella Bortolozzi, Berlin; LC Queisser, Tbilisi (HI-RES FILE ON REQUEST)
Tolia Astakhishvili
The First Finger (chapter II)
Tolia Astakhishvili (*1974 in Tbilisi, Georgia) transforms the Haus am Waldsee with an expansive installation that constitutes her solo exhibition The First Finger (chapter II). In addition to structural interventions, drawings, paintings, text, and videos, the exhibition includes new collaborative works with Zurab Astakhishvili, Dylan Peirce, and James Richards, as well as contributions by Antonin Artaud, Alvin Baltrop, Kirsty Bell, Nat Marcus, Vera Palme, Andreas Rousounelis, Judith Scott, Ser Serpas, and Giorgi Zhorzholiani.
The First Finger is realised in two chapters: chapter I at Bonner Kunstverein, curated by Fatima Hellberg (March 25–July 30, 2023), and chapter II at Haus am Waldsee in Berlin, curated by Beatrice Hilke (June 23–September 24, 2023).
Supported by
Hauptstadtkulturfonds
Haus am Waldsee – Freunde und Förderer e.V.
In partnership with
Bonner Kunstverein
Press preview: Thursday, June 22, 2023, 11 am.
Tolia Astakhishvili and James Richards, I Remember (Depth of Flattened Cruelty), 2023, film still, video installation, 10 min., Courtesy the artists; Cabinet, London; Isabella Bortolozzi, Berlin; LC Queisser, Tbilisi (HI-RES FILE ON REQUEST)
Tolia Astakhishvili and James Richards, Tenant, 2021. Installation view, The Holding Environment, chapter 1, Bonner Kunstverein, Bonn, 2021. Courtesy the artists
Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2021-ongoing, slide show (81 Slides), dimensions variable. Detail. Courtesy the artists; Cabinet, London; Isabella Bortolozzi, Berlin; LC Queisser, Tblisi; Rodeo, London und Piraeus
Tolia Astakhishvili and James Richards, Tenant, 2021. Installation view (detail), The Holding Environment, chapter 1, Bonner Kunstverein, Bonn, 2021. Courtesy the artists
Tolia Astakhishvili, KHISHVI, Ganymede, 2018, installation, mixed media, drawings from 1995 – 2018, 380 × 365 × 360 cm. Installation view (detail), Ache, Cabinet, London, 2018. Courtesy the artist and LC Queisser, Tblisi
Tolia Astakhishvili and James Richards, Tenant, 2021. Installation view (detail), The Holding Environment, chapter 1, Bonner Kunstverein, Bonn, 2021. Courtesy the artists
Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2021-ongoing, slide show (81 Slides), dimensions variable. Detail. Courtesy the artists; Cabinet, London; Isabella Bortolozzi, Berlin; LC Queisser, Tblisi; Rodeo, London und Piraeus
Tolia Astakhishvili, KHISHVI, Ganymede, 2018, installation, mixed media, drawings from 1995 – 2018, 380 × 365 × 360 cm. Installation view (detail), Ache, Cabinet, London, 2018. Courtesy the artist and LC Queisser, Tblisi
Tolia Astakhishvili and James Richards, Tenant, 2021. Installation view, The Holding Environment, chapter 1, Bonner Kunstverein, Bonn, 2021. Courtesy the artists
Tolia Astakhishvili and James Richards, Tenant, 2021. Installation view (detail), The Holding Environment, chapter 1, Bonner Kunstverein, Bonn, 2021. Courtesy the artists
Tolia Astakhishvili and James Richards, Tenant, 2021. Installation view (detail), The Holding Environment, chapter 1, Bonner Kunstverein, Bonn, 2021. Courtesy the artists
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